book of Revelations


1] is it a change of the original text?
Not at all: the original text is literally every word as it stands – but it is about the interpretátion of this same text. Just like we argued and proved with the spells, it is most important to have a cóncept of what the words may try to say, instead of projecting an idea into them.
Since scripture should confirm herself by crossreading, we have tried, after the presented chapters about leviathan and behemoth in Job and Isaiah, to draw that same concept as the context of this book; and many things fit surprisingly well. The warning at the end of the book is totally clear: we take it absolutely Seriously, and therefore we think the original text ‘opens up’, finally;
2] please consider the following:
….we are used to read presented ideas, according to our own mindset; the past few decades, that mindset has been so formed – read: poisoned – by movies about all kinds of apocalypse disasters, that our mind automatically thinks in those categories, also when reading Revelations.
But let’s be honest: just how much tidal waves, and earthquakes, and falling stars, can the earth táke…? It sóunds all most spectacular – but if we read it as ‘only happening in our present reality, upon this earth’, then it is all just a bit too much [this was the same reason, we had to start translating the spells, ourselves — because the existing translations sóunded most mysterious – but contained contextual Nonsense];
….and that same contextual inconsistency is in the common translation of the book of Revelation: for example chapter 8: vs.8, “…and a third of the creatures died, and a third of the ships, also”: what, one may ask, is the relevance of “a few ships” – just after ONE THIRD of all creations have DIED? There is no contextual logic here: the magnitudes of the events are totally out of balance!
– but so automatically we envision ‘some huge tidalwave’, as we know them from the movies [!], and we are so busy trying to invent the most horrible type scenario’s,  that we do not ask ourselves that it may not even be what the text tells us!  And even then, the most affected would be the coasts and nót the ships – they will keep floating, anyway – and how are ships related to ‘blood’?  and why we need to transform ‘mountain’ into some asteroid-idea, when it clearly says ‘mountain’…? scripture know these differences very well!
…yes it is said that earth and man will be most heavily affected – and we will not take nothing away from its seriousness – but we maintain, that it is, FIRST, about “God breaking down their ãnkh torus”, and thát causes all these ‘effects’ upon earth: this is about “a separation”, an almost surgical separation of the Abscess from the patient; the tiny bit we gathered, until now, from the massive and complicated intertwining They fabricated since Eden, does, in our opinion, more right to the context of the text, as a mere ‘movie type apocalypse’;
3] the used Greek language, in relation to the Greek pantheon;
….just like with the spells – though not by far that extreme – also the Greek language uses for similar themes often different words; for example ‘sea’ may be ‘oceanus’, ‘thalassa’ or ‘pontus’;taking into account that not ONE word has been written down ‘casually’, see 2], then we must conform to the type word used, in order to extrapolate the context intended; and in order to can do the latter, we must realize that the Greek pantheon represents a ‘change’, a transformation, from the antique into being the base of our present so-called ‘modern thinking’;
the concept of “war of the Titans” represents this transformation, yet all the ‘new’ deities – concepts –  carry the very same attributes as the ancient Egyptian ones: for example Athena being Isis, Helios being Rã, Zeus being Horus, etc.; and that is for us important to understand, since it are exactly thóse concepts, which Revelation is about;
4] the form of the presented text;
…..exactly because of 3] above, oftentimes concepts or words require such a stack of notes, that it would make the actual text unreadable; therefore we chose a bit different setup as the Leviathan chapters, and try to place the bulk of the notes at the end of the page –  where also the section “attributes of the Greek gods and their egyptian counterparts” can be found;
seals [earth,SA], trumpets [pillar,ÃÃ], vials [NEB, solarplane chalice]


context: earth is connected to the Fields of Saturn, via the house of the horizon, in the North; the opening of the seals is the preparation of their realm upon earth

1] kai G2532 AND eidon G1492 I-PERCEIVED hote G3753 when Enoixen G455 UP-OPENS opens to G3588 THE arnion G721 LAMBkin mian G1520 ONE ek G1537 OUT tOn G3588 OF-THE sphragidOn G4973 SEALS kai G2532 AND Ekousa G191 I-HEAR henos G1520 ONE ek G1537 OUT tOn G3588 OF-THE tessarOn G5064 FOUR zOOn G2226 LIVing-ones animals legontos G3004 sayING hOs G5613 AS phOnEs G5456 OF-SOUND of-voice brontEs G1027 OF-THUNDER erchou G2064 BE-COMING be-you-coming! kai G2532 AND blepe G991 BE-YOU-lookING be-you-observing!]
1)And I saw when the Lamb opened one of the seals, and I heard, as it were the noise of thunder, one of the four beasts saying, Come and see.


G2226, zoã, ‘animal life,organic life’, hence “animals” or “living ones”, because ‘beast’ is the negative counterpart; these creatures must represent the environment of organic life, juxtaposing the four appearing horses;

the seal:

in chapter 5, it was Sekhmet the egyptian lion, blocking the opening of those seals, here is the Lamb opening them -…the most important term ‘seal’ is unclear in the Greek term “sphragid”, perhaps from PIE root (s)p(h)er-, (s)p(h)erag- (992), but that does not tell us more about it’s nature;
however, the term ‘seal’ can refer in glyphs either relating to Rã being the seal of the solarplane-house, TCHEBÃ; or the term KHETEM, ‘covenant’, ‘to seal up riches’; or to the term SA, a rolled-up papyrus, bound together, representing the folded dimensions this earth is within;
…contextually, the ‘organic life’ represented by the four animals, should relate to earth itself, and therefore we choose then the SA over Tchebã; the cluster SA meaning ‘their protection of present earth’, read: protection against Heaven: by means of keeping this earth enclosed within their folded dimensions, for the spirits to rule — this “second sky of earth, PET” is a crucial theme in many spells.


The symbol is placed North of this earth because of it’s relation to Tawaret, the hippo; she stands with one foot upon the symbol, depicting ‘rule’, and the hippo is ‘birthing mixed organic life’; that the SA symbol represents these folded dimensions particularly of earth, may appear from the later vs.14, where “the sky of earth receded like a [SA] scroll”;


the thundering voice:

…the term ‘thundering voice’ has it’s counterpart in the glyph KHER ‘voice from below’ to the step-down QERÁ “voice of thunder”; related to Set’s (fallen adam construct) aspects as “the thundering one”;
the theme is exstensive but most important — since it is about “speaking creation itself”: a large part of BD spells consistantly ends with the line “… for the manifestation of matrix-existence by the Mouth”, the mouth, R-glyph, being the place of rule North, speaking creation into being – but speaking théir creation by the stolen aspects from the south;

WHITE HORSE – ignition of SATURN’S FALSE LIGHT upon earth

2] kai G2532 AND eidon G1492 I-PERCEIVED kai G2532 AND idou G2400 BE-PERCEIVING lo! hippos G2462 HORSE leukos G3022 WHITE kai G2532 AND ho G3588 THE kathEmenos G2521 one-sittING one-sitting ep G1909 ON autO G846 him him-it echOn G2192 HAVING toxon G5115 SHOOTer bow kai G2532 AND edothE G1325 WAS-GIVEN autO G846 to-him stephanos G4735 WREATH kai G2532 AND exElthen G1831 he-OUT-CAME he-came-forth nikOn G3528 CONQUERING kai G2532 AND hina G2443 THAT nikEsE G3528 he-SHOULD-BE-CONQUERING]
2) And I saw, and behold a white horse: and he that sat on him had a bow; and a crown was given unto him: and he went forth conquering, and to conquer.
2) And I saw, and behold a white horse: and he that sat on him had a bow; and a wreath was given unto him: and he went forth conquering, and to conquer.


….there is something with the line ‘went forth conquering to conquer’ – that is superfluous;
this term “went forth” is only being used for this white horse and the next red one, where G1831 has the same context as the crucial hieroglyph PER, ‘to manifest’, or, as in most other translations, PER ‘to go forth’;
the used Greek word is also “to be emitted from heart or mouth”, “to come forth physically, to arise, to be born of”, etc; which is exactly what the vesica North [the Mouth] is about:
the ‘speaking into being of everything in their northern half of the Torus’;
…. – the repetition of conquering escapes us at the moment; but it appears to tell that “through this manifestation all-that-will-be-conqered” see last three words of the text; then this false light is the blueprint of the next three horses;

the bow and wreath:

….he cárried already a bow, so the bow was the man’s – the bow as glyph PETCH always denotes “to expand”, usually denoting their dimension;
– the wreath of leaves is ‘stephanos’, “honour, royalty [but not king]“, from Phanos “torch, light” from Phaino “to manifest, to make to shine”, G5457, and the STE- “to stand firm, to be stable, to station oneself” [sanskrit: sthã, tisthãti, sthunã (pillar of column!),
greek: istemi, isthamai, istós (a ship’s mast), latin: sta-bilio, sta-tuo; etc, see note *1 ]

….. altogether, the wreath denotes the pillar, the vesica north, and Saturn’s illumination; Zeus’ attribute is the wreath, as well – Zeus being Horus, representing the vesica, north [see for ex. amtuat VI];
but please not that it ‘was given a wreath’: read – was given total access —
the house of the horizon, north [the vesica] is their construct as “a mixture of the adamite throne, and their throne”, and “the sky of earth is made by the eastern house [of the horizon]“, that is the adamite throne: hence the ‘reality’ we live in, is also a mixture – just as our physical body is their mixture of aspects! – and it is this present situation of mixture which is now being Revoked: and Full access is given to théir realm.
This latter was what the Sekhmet-lion blocked, until now: because théy held the seals [the doors] from Earth to their ‘garden of Saturn’ [the spells mention how ‘the entrance to the Broad Hall, the torus, is through the house of the horizon]; their Fields vampiring upon earth, using earth as their Zoo: but now, the roles are inversed!

the horse:

…the horse typically relating to the fallen ones:
Henoch addresses their judgment, and notes how “they had private parts like horses”; the greek Kronos [Saturn] transformed himself in a horse (see note); and there are stallions in several glyph clusters, usually related to ‘phallus’ – like H’ENN, saturn H’; or MET (we’ll se later on); the ithyphallic deity MENU (allah), ‘stability’ (see stephanos,above); and the cluster ÃÃ, phallus and donkey, where ÃÃ is also the pillar, and the term donkeys are ‘the ithyphallic ones ascending through the pillar’ [CT*];
so the ithyphallic character of the pantheon is the ãnkh-pillar as a large phallus; every obelisk depicts this theme [and also every ‘tower’ in scripture – see leviathan page]; as well as personalized ‘gods with ãnkh-shaped phallus’, or ‘Neith (goddess) with the phallus’, etc.: the phallus usually representing the pantheon’s type of Willpower;
….hence the stories about “Horus stealing the testicles of Set” [Adam], to glue his willpower to théirs – because it is the Willpower which creates a dimension and sustains it.

however, please note that also the positioning of concepts often can be confusing: just like “a crown” means “a concept which rules that person” [ see white horse], many mistake this first horse with the later upcoming horse – but the “riding upon” indicates “to rule”: just like, for example, He sat upon a donkey, entering Jerusalem — therby UN-doing the theme mentioned above,
[and this same theme returns in Rev. 2, pergamum, as the throne of satan [the house of horizon!], where the speaking donkey is referred to, the paragraph is about the Horus-spirits of the solarplane [‘nicolaitans’, ‘the conquering ones’];



… see paragraph below —

many make the mistake, to interpret the “parable of the talents” [Mt.25] as “God-given qualities or capabilities, which a person is able to execute”: but nothing could be further from the truth:
they mistake the capabilities of the own Ego, I, as so-called ‘talents’, but God is not interested, whatsoever, in all the things the Ego is capable of doing:in fact, He wants the Ego to DIE.
….the Talents are “attributes” in the parable — the 144,000 Attributes of Creation itself [Rev,7], which are needed to be Freed in order to demolish their Matrix. This is why “the master was angry at the servant who búried one”: since the burying implies that this specific Attribute won’t get freed!

continuing horses:
RED HORSE – change of REALITY on earth

artist: MartinBritt

3] kai G2532 AND hote G3753 when Enoixen G455 He-UP-OPENS it-opens tEn G3588 THE deuteran G1208 second sphragida G4973 SEAL Ekousa G191 I-HEAR tou G3588 OF-THE the deuterou G1208 second zOou G2226 LIVing-one animal legontos G3004 sayING erchou G2064 BE-COMING be-you-coming! kai G2532 AND blepe G991 BE-YOU-lookING be-you-observing!
4] kai G2532 AND exElthen G1831 OUT-CAME came-forth allos G243 other another hippos G2462 HORSE purros G4450 FIERY (red) fiery-red kai G2532 AND tO G3588 to-THE kathEmenO G2521 one-sittING one-sitting ep G1909 ON autO G846 him him-it edothE G1325 WAS-GIVEN it-was-given autO G846 to-him labein G2983 TO-BE-GETTING to-be-taking tEn G3588 THE eirEnEn G1515 PEACE apo G575 FROM tEs G3588 THE gEs G1093 LAND earth kai G2532 AND hina G2443 THAT allElous G240 one-another sphaxOsin G4969 THEY-SHOULD-BE-SLAYING kai G2532 AND edothE G1325 WAS-GIVEN autO G846 to-him machaira G3162 sword megalE G3173 GREAT

3) And when he had opened the second seal, I heard the second animal say, Come and see.
4) And there went out another horse [that was] red: and [power]was given to him that sat thereon to take peace from the earth, and that they should kill one another: and there was given unto him a great sword.

the red:

…the ‘red’ in context is not so much the very colour, but it’s nature:
where a flame indeed could be ‘red’, the word is not exactly red, nor ‘fire’, but more “the emanation of the flame”:
Stobaus that pyr is the “aether-like body [of Logos]“; Anaxagoras says that pyr is the aether, and Heraclitus names it as “air”, specifying it as “pyr aeizoon”, “ever-living aether”, as the life-warm finest substance [note how he connects it to aeizoon, the same type “organic life” as we saw by the four animals! ] [see *2];
……this Aether being like the dimensional substance by which cells of a body grow, and giving the energy tó those cells — the Greek nor PIE root brings us closer, but the context of this ‘aether’ can hardly be anything else as the glyph TESHER, ‘redness,blood’, represented in the Red Crown; where the “aether of Edens realm” [for lack of better term] is usurped in the South, through the soulpool SH; and those aspects are sent, through the pillar, to the vesica north [see Leviathan page for this theme]; by which virtually everything within the northern half of their ãnkh-torus manifests: the Sekhet-fields, our physical body, them spirits themselves, and the sky of earth;

the sword:

…the term used is G3164 machomai, “strive,fight”,
the PIE (697) *magho “to fight,struggle” may fit, but it doesn’t bring us much further, but *mak- and *mãk-, “skin, leather bag” and “to knead” [drugs], certainly do; as also (697) *mai-, “to maim, hew, cut with a sharp instrument” —
a related greek term is Machawon = ‘reviver’; and since Macheon was one of two sons of Asclepios, who was himself a doctor, the term ‘sword’ should be interpreted as “scalpel, a surgeon knife”. However, he being the caretaker of his father’s healing herbs, should place the context into “to heal by using drugs” [Iliad IV, see *3];
— ‘drugs’ are connected to ‘reality’ also further on in Revelation: it tells that “people refused to turn away from their sorcery [lit: pharmakeia]“, which rather indicates establishing a connection to a reality, as a “cutting off” [the sword];
there are many ‘herbs and drugs’ in the hieroglyph dictionary, almost solemly describing products as mixture of aspects from Eden’s and théir realm;
….the root of G3164 machomai this time happens to be the same as the glyph MA, “sickle, to reap”, in context “reaped from Adam”;
the MA cluster is very extensive, but for example MÃNNU are the two serpents as caducaeus in the ãnkh-torus [compare Asclepius’ symbol!], but the most important use in the spells is, MAA, ‘sight’, “to can watch, perceive”, denoting the “state of being a fullgrown spirit”, corresponding to their environment / dimension.
it is no coincidence that those ‘who from heaven came’, in Genesis, are dubbed ‘Watchers’ — the Ákeru-gods;
– resuming, see below;


…, G1093, Gé, the greeks used either ge or gaia,
perhaps cognate with sanskrit *guli-, *gola-h, “globe, ball, pill” and greek ‘ring, circle, round’; and PIE (393-98) *geu-, *gu-, “to bend, to curl up, vessel”, and even (419-22) *ghé-, *ghéi-, “to gape, to yawn”:
the used terms remind immediately back to the seals and SA; and also in this case the root is close to the glyph GEB, earth-god;
– the problem is that many vieuw “this earth as God’s creation”, and cannot fathom “why He would destroy His own creation, c.q. earth” — yet the spells show most clear, that much of this earth they stole from the réal place of earth, in the South, and that this present earth is *at a different place* now; likewise, the Greek tell of Kronos [saturn] that he “vomited-up a stone, wrapped in cloths” [the earth and its second sky], hence the root “to gape, to yawn” as vomiting-up earth northwards through the pillar;


….where the first horse is the influx and ignition of false light, as steering concept, this red-aether horse may be the changed reality: people will see and feel things, which did not manifest, before; and the present ‘peace’ [read: status quo] is attacked (the sword) by the influx (the mixing) with more of their realm;

BLACK HORSE – negative changes in the PHYSICAL BODY


source youtube

5] kai G2532 AND hote G3753 when Enoixen G455 He-UP-OPENS it-opens tEn G3588 THE tritEn G5154 third sphragida G4973 SEAL Ekousa G191 I-HEAR tou G3588 OF-THE the tritou G5154 third zOou G2226 LIVing-one animal legontos G3004 sayING erchou G2064 BE-COMING be-you-coming! kai G2532 AND blepe G991 BE-YOU-lookING be-you-observing! kai G2532 AND eidon G1492 I-PERCEIVED kai G2532 AND idou G2400 BE-PERCEIVING lo! hippos G2462 HORSE melas G3189 BLACK kai G2532 AND ho G3588 THE kathEmenos G2521 one-sittING one-sitting ep G1909 ON autO G846 him him-it echOn G2192 HAVING zugon G2218 YOKE pair-of-balances en G1722 IN tE G3588 THE cheiri G5495 HAND autou G846 OF-him
6] kai G2532 AND Ekousa G191 I-HEAR phOnEn G5456 SOUND voice en G1722 IN mesO G3319 MIDst tOn G3588 OF-THE tessarOn G5064 FOUR zOOn G2226 LIVing-ones animals legousan G3004 sayING choinix G5518 CHOENIX sitou G4621 OF-GRAIN of-wheat dEnariou G1220 DENARIUS of-denarius kai G2532 AND treis G5140 THREE choinikes G5518 CHOENIX krithEs G2915 OF-BARLEY dEnariou G1220 OF-DENARIUS kai G2532 AND to G3588 THE elaion G1637 OLIVE-oil oil kai G2532 AND ton G3588 THE oinon G3631 WINE mE G3361 NO adikEsEs G91 YOU-SHOULD-BE-injurING

5) And when he had opened the third seal, I heard the third animal say, Come and see. And I beheld, and lo a black horse; and he that sat on him had a pair of balances in his hand.
6) And I heard a voice in the midst of the four animals say, A measure of wheat for a penny, and three measures of barley for a penny; and [see] thou hurt not the oil and the wine


…this third horse is a difficult one:
the first explanation, as often is presented, would be some ‘worldwide famine’; yet the literal famine does not appear until the fourth horse;
Looking at the colour: “black”, greek G3189 melas, gives the root PIE (720-21) *mel-, *melé-, “dark colour (black, dirty, etc)“, and (716-19) *mel-, in several ranges, from “to mill, to grind”, “to deceive”, “to appear, to come forth”;
but these descriptions won’t bring us closer to any context –
the hieroglyph for black is KAM, “black” and “to complete”, the very root of the name Egypt;
the used end-glyph is a pun on ‘cunningness’ [compare the PIE ‘to deceive’, above!]; the K refers to the saturnian Ka-spirit-double, as opposed to adamite souls;
hence, since the horse must represent the same type “organic construct”, this horse could relate to the physical-spiritual template of our present physical body, because of the terms “oil, wine and barley”;

barley, food and wine:

the note is too long for now – but spells are full of food and cake offerings: where the ‘cake’ is the baked result of mixed aspects, which are then used to fabricate the osirian-spirit from [as well as our body!]; and there is a significant difference in quality of ingredients: ‘grain’ and ‘wine’, ÁRP, are always Eden’s; while for example corn NEPER, and ‘beer’, H’EQT, are theirs.
Also scripture uses the same terms: in the festival of Booths is described these grain offerings in certain measures, as to un-do their imprisoned state. It is this very mixture of aspects within us, which needs to be split-off again; and this black horse should tell this theme;
— that the creatures say “do not hurt the wine”, could read “do what you want to the bodies of people — but do not hurt the aspects of Eden in those who are His’;

the balance and the penny:

….the balance = G2218, zugos, balance, related to sanskrit Yuga ‘timeperiod’, into yuj, ‘to unite’;
there are several balances in glyphs, as important one UTCHÃ, “to judge”, or NEH’EH’, “to yoke for eternity by Saturn”; or BEQSU, “small pair of scales held in the hand”;
— since the rider holds the scales, it is about judgment and is Negative; and apparently, the barley and wheat are related to daily rations: the word Choenix, measure, was the daily amount of [baked] grain, upon which a Spartan soldier was supposed to survive; and this same context was for the penny [denarion], being a day’s wage for a skilled labourer in Roman times [and perhaps also for workers in the vineyard, see parable in Mt.20];
….but to be fair, the relation between the grain, the wine and the ‘daily’ escapes us at this moment;

PALE HORSE – connecting earth to the underworld


taken from

7] kai G2532 AND hote G3753 when Enoixen G455 He-UP-OPENS it-opens tEn G3588 THE sphragida G4973 SEAL tEn G3588 THE tetartEn G5067 FOURth Ekousa G191 I-HEAR phOnEn G5456 SOUND voice tou G3588 OF-THE tetartou G5067 FOURth zOou G2226 LIVing-one animal legousan G3004 sayING erchou G2064 BE-COMING be-you-coming! kai G2532 AND blepe G991 BE-YOU-lookING be-you-observing!
8] kai G2532 AND eidon G1492 I-PERCEIVED kai G2532 AND idou G2400 BE-PERCEIVING lo! hippos G2462 HORSE chlOros G5515 GREEN kai G2532 AND ho G3588 THE kathEmenos G2521 one-sittING one-sitting epanO G1883 ON-UP upon autou G846 OF-it himit onoma G3686 NAME autO G846 to-him ho G3588 THE thanatos G2288 DEATH kai G2532 AND ho G3588 THE hadEs G86 UN-PERCEIVED Unseen akolouthei G190 IS-followING met G3326 WITH autou G846 him kai G2532 AND edothE G1325 WAS-GIVEN autois G846 to-them them exousia G1849 authority jurisdiction apokteinai G615 TO-FROM-KILL to-kill epi G1909 ON onover to G3588 THE tetarton G5067 FOURth tEs G3588 OF-THE gEs G1093 LAND earth en G1722 IN romphaia G4501 SABER saber-blade kai G2532 AND en G1722 IN limO G3042 FAMINE kai G2532 AND en G1722 IN thanatO G2288 DEATH kai G2532 AND hupo G5259 by tOn G3588 THE thEriOn G2342 WILD-BEASTS tEs G3588 OF-THE gEs G1093 LAND earth

7)And when he had opened the fourth seal, I heard the voice of the fourth animal say, Come and see.
8) And I looked, and behold a pale horse: and his name that sat on him was Death, and Hell followed with him. And power was given unto them over the fourth part of the earth, to kill with sword, and with hunger, and with death, and with the beasts of the earth


….also a tricky one, this horse;
the word used, khloros, ‘green-yellow’, likely from PIE *ghel-, ‘to shine’, and Greek khlóé, “green shoot, sprout”;
the only sensible context is the glyph UATCH, depicted as a green papyrus-stem [compare ‘green sprout’], meaning “green,to flourish”, as well as “emerald crystal”;
this term is being applied in the spells to their realm within the northern ãnkh-torus as “the great green sea”, UATCH UR, (lit. the sea of great speech of emerald), and therefore “to make to flourish and become green”, S-UATCH, of their field of Reeds of Saturn, the habitat of all them spirits.
……this emerald-green must be a Counterfeit from what Henoch describes as “around the throne of God a halo like of emerald” – therefore we can be sure, that this UATCH as ’emerald’ is Thoth’s mimick covering; the context of this horse should then be, that after the previous three, now the essence, the covering of their realm is entering on earth;

the sword:

different as by the red horse, here the used word is G4501, rhomphaia [foreign origin];
suggested is some kind of ‘Thracian javelin’, but the context tells it is about a “double-edged sword”;
…the concept of ‘double-edged sword’ is that it can “separate marrow from the bone” [scripture], that is, able to separate the most devious lie from the truth, and the abcess from the patient;
the text does not say “a sword was given”, but “authority [to use it] was given”; telling that they may use théir double-edged sword, which in glyphs is usually MAÃT, officially translated as “truth, justice”, but in reality “double-truth” [we would say “half-truth”](start of a corrupt law system?)
– this horse follows the one to which is said “do not touch Eden’s aspects” – perhaps this horse then rules the physical body itself: and causes a coldness, hardness into people – causing famine, a police-state, useless killings or perhaps suicides, and the animals turning against the people, becoming wild again….
….it is with heartache we write these things.


the next phrase, “hell following”, the word used is Hades, ”that which is unseen”, “an invisible place”,
as term of the netherworld [where greek Tartarus is more specific];
the glyph for underworld is T’UAT, often written T’UAT+house; and since hades followed the horse, it indicates that the entire underworld itself will get connected to earth;

Thanatos and Hypnos


the word used for death is thanatos, G2288,; Thanatos was the “personified death”, together with his brother Hypnos [‘sleep of death’]; they are often depicted carrying away the dead body of Sarpedon [‘dead sun-god ÁF’ in spells and amtuat XII, as aspects of Adam]; and as geniusses (spirits) holding a down-turned torch, and a butterfly representing the soul of the dead [*4];
….now, Greek mythology is like a flowery version of the Egyptian, and the attributes are not always clear at first sight – but the “twin” gods must be a major Clue here: the glyph KA means as much as “spirit-double”, which has “life in itself” — compare here the rider of this horse, who is the first one having a name, meaning he is not an exténsion of the horse, but “ruling the horse”, which may imply as much as “having life in itself”;

  the Ka glyph, showing “two arms held upwards”,
is a rather obscure concept: the description of the
KA itself is “image, person, genius, character”,
directly related to “to think, to devise”;
[note the ‘genius’, as in Thanatos];
– the root of the word, the syllable-K,
appears in every term which is hostile to Eden:

Ákeru-gods [Watchers], Ákhabiu-gods [Osiris-class spirits], Khu spirits [enhanced spirits], etc.; and the nature of this Ka-spirit-double must be some type “spirit-like thoughtform, which can Absorb into itself foreign aspects” – as if it could eat aspects, and make those to become part of itself.
Many spells use the term “Ka bull”, as an almost unconqerable type spirit; and from the serpent NEH’EBKAU, “[by] the Ka-spirit doubles to yoke forever [by Saturn]” it appears that the origin of those doubles is from Saturn (the gutteral H’, saturn, is a stepdown of K);

….this KA-spirit double must be directing the very essence of the underworld [the pale horse], making the realm of earth the same one as the T’UAT;


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….it is not surprising that several Ka-related glyphs are related to ‘food’: KA-H’ETEP, “a god of offerings, a form of Osiris” (where H’etep is Saturn); KAU, “food,provisions,supplies”, and the KA H’ER KA festival, again Saturn H’, where seeds were sown in the earth, into shaped moulds to the form of Osiris; the sown earth was watered until the seeds germinated, and then buried into the soil, securing a successful crop.
The idea is the same as the beforementioned usurping of aspects, and integrate those into the own spirit-body.

Related is the rather frequent mentioning in the spells of the KAR-shrines; as far we gathered there are four of them in the south [see BD*, ‘four flames’], which must be the HQ of devouring and mixing of Eden’s aspects;
hence we arrive at the family of Thanatos, it’s “products”;

  [the Keres]

… the KA-double is then direct related to the important [but unclear] concept of the BA solarplane-spirit [see picture below], usually depicted as bird, but with a range of other meanings;
in Greek, the family of Thanatos were his violent and murderous sisters, the Keres, being described as “formidable, dark and Hateful”, and depicted as fanged, taloned beings, with gnashing teeth, dressed in bloody garments, hovering over the slain on the battlefield [*5]; obvious is here the stealing of physical aspects for themsélves.
“Among the scenes depicted on the chest of Kyselos […] a woman with teeth as cruel as those of a beast, and her fingernails bent like talons. An inscription by her calls her Ker (Death-spirit).” [Pausanias, C2nd A.D., *5]

  Several roots are given for Keres:from IE *ker-, ‘horn’, or “fate,doom”,
or *kara-, “head”, even “death, destruction”; but the context of the KA pic of ba wrongly termed “soul”
and the BA-spirit being reláted to eachother, must be the real theme;
therefore it is not necessary to try derive the word Ker from the KA [*6],
[see below],

……the problem with the BA concept is that it represents a “mixture”, of solarplane-aspects, and adamite aspects, powered by the Ka-double;
the glyph for “falcon”, the Horus-type spirits, is BÁK, a contraction of BA and KA-double;
Horus is called in CT* “the son of the adamite soul, but he [the latter] does not know [that]“; being built together using adamite aspects, particularly in order to can have a face and eyes [Horus the eyeless-one becomes Horus with two eyes in front], and his attribute becoming H’ER, “face”; from there his Greek name Horus, where the gutteral H’, Saturn, can easily cause the term Kere(s), those Ba-spirits.
– the Beast depicting this mixture is the spotted Leopard, once in the book of Daniel, and later on in Revelation; where she is such an important aspect, that it is said “.. [it’s overall shape] resembled that of a leopard”
[where the aspect of “spotted, mottled” is in the spells depicted as “mottled snakes”, or compare Amtuat],
and in Rev. 13 this huge leopard “rises out from the sea”, dimension; implying that it is a construct of the solarplane-B.
The cluster BA confirms this: abBAit, “mantis, osiris” [abaddon]; ABt, “gods of the solarplane” [inversal], BA and AB, leopard; BA, ‘ram’[dualism/mixture]; BAst, cat-goddess and her product BEs, “first physical body containing adamite soul”; etc.; the famous chapter about ” how deep thou hast fallen” is about ABBAIT walking between the “fiery stones’, i.e the planets;
…..interesting is the parallel between the KA-double powering the BA-spirit, and the dragon powering the leopard-beast in Rev.13; and also the mentioning at this fourth horse “death ánd hades”: where death, the KA, empowers the underworld – the T’UAT;