book of Ezekiel — part II

cosmology

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book of Ezekiel — part II

E] next event, chapter eight – the cube and Gates:
2] and·I-am-seeing and·behold! likeness as·appearance-of fire from·appearance-of waists-of·him and·to·downward fire and·from·waists-of him and·to·up·ward as·appearance-of warning·as sparkle-of the·amber
2) Then I beheld, and lo a likeness as the appearance of fire: from the appearance of his loins even downward, fire; and from his loins even upward, as the appearance of brightness, as the colour of amber.

  • Ezekiel is among the elders of Juda when this occurs;
  • from the waist downward, the being is ‘fire’, from waist upward ‘amber’;
  • remember the glyph KSANTHA, before, ‘yellow’;
    amber coming as resin from within the tree, clearly depicting here the
    feminine aspect, and likely the quadruple-root; because related to the
    positioning of the revelation-woman, the “clothed with sun” can hardly
    mean “shone upon by Rã”, but more as “the torso, the inside ás feminine”;
in pantheon’s religions the theme resounds
the theme of ‘the tears of Rã’, REMu, as in
Greek, when Phaeton son of Helios [Rã] was
killed, his sisters became trees and cried
tears of amber; in both cases it denotes
stolen essence,

gemselect

3] and·he-is-stretching-out model-of hand and·he-is-taking·me in·tuft-of head-of·me and·she-is-lifting ·me spirit between the·earth and between the·heavens and·she-is-bringing·me Jerusalem·ward in·appearances-of Elohim to portal-of gate the·inner the·one-facing north·ward which there seat-of figure-of the·jealousy the·one-provoking-jealousy
3) And he put forth the form of an hand, and took me by a lock of mine head; and the spirit lifted me up between the earth and the heaven, and brought me in the visions of God to Jerusalem, to the door of the inner gate that looketh toward the north; where [was] the seat of the image of jealousy, which provoketh to jealousy.

  • so he is placed in Tziun [eden eye], and looks toward the north,
    looking toward the middle Sba-gate, seeing there ‘the seat of jealousy’,
  • the term is obscure, word used as QENA, or qanah, which yields not
  • much context – except for a link with Cain, QÃN or ÃQEN in spells;
    note how the terms “seat” and “figure” are used;
    we suggest at this point, that QÃN was placed by the pantheon as
    their ‘revelation-woman’, that is, the same area, but now organized
    as théir siphoning construct: since they used his Orion-soul to can
    obtain a post-eden body, and several spells address ‘father QÃN’,
    as the construct to keep vampiring upon eden;
    the line is repeated and tells “..fróm north tó gate of altar”;

next two lines:
again the ‘great ones of the house of Israel are accused, see below as why;
then Ezekiel has to make ‘a hole in the wall, towards the court’, which can hardly be
from the temple itself, but more as “a dimensional hole”; it does not say ‘behold a door’,
but simply “..behold: an opening”;
the dimensional hole may be valid – because next, he sees abominations:

10] and·I-am-entering and·I-am-seeing and·behold! every-of model-of moving-animal and·beast abomination and·all-of ordure-idols-of house-of Israel being delineated on the·sidewall round-about round-about
10) So I went in and saw; and behold every form of creeping things, and abominable beasts, and all the idols of the house of Israel, portrayed upon the wall round about.

  • he must see the copying tcherru-sky (*pic),
    carrying all kind of aspects which are of
    unclean nature, yet copying the aspects of
    the sky of the cube; remember before the
    double-sided scroll;
  • to us, it is a strange and outlandish
    concept that this scroll is cáusing people
    on earth (as the house of Israel) to worship
    them (the creeping animals), in their presented
    forms of idols, statues, ideas, etc.;

mirror-cube, Sweden: but note how the
tcherru-sky is the one mirroring!

imgism com

11] and·seventy man from·old-ones-of house-of Israel and·Jaazaniah son-of Shaphan standing in·midst-of·them ones-standing to·faces-of·them and·man censer-of·him in·hand-of·him and·entreating-of cloud-of the·incense ascending
11) And there stood before them seventy men of the ancients of the house of Israel, and in the midst of them stood Jaazaniah the son of Shaphan, with every man his censer in his hand; and a thick cloud of incense went up.

    • the name Shaphan, as “quadruped cud-chewing animal”, read cow,
      but in contexts as ‘watchtower, pillar’ (great pillar), ‘rug, carpet’ (T’EMAM,
      the carpet as reality-construct at Rã’s boat, tuat II), ‘honeycomb and to
      plate with metal’ (both BAÁ, iron and BÁT, honey), etc;
      the ‘cow’ being “a construct related to regions”, see 7 cows BD;
      and the name Jaazanya, recognize-ya (to listen, hearken);
    • the nature of those elders, apparently as “dark consciousnesses”;
      the words “..in the dark chambers of his (own) images” is not far from
      the concept of the I-Tching, the serpent’s construct of 64 closed
      consciousness constructs, returning upon itself; read, the glyph TCHES,
      as Self, Ego;
      please note how well chosen the term Shapan: re-eating the same food,
    • 70 shepherds: really not too far from the number 64, above;
      these also appear in Henoch, where after the last one, this occurs:”And I stood up to see till they folded up that old house (*pic,torus); and carried off all the pillars, and all the beams and ornaments of the house were at the same time folded up with it, and they carried it off and laid it in a place in the south of the land (*pic). 29. And I saw till the Lord of the sheep brought a new house greater and loftier than that first, and set it up in the place of the first which had beer folded up: all its pillars were new, and its ornaments were new and larger than those of the first, the old one which He had taken away, and all the sheep were within it (after the Interval).”

14] and·he-is-bringing·me to portal-of gate-of house-of Yahweh which to the·north·ward and·behold! there the·women ones-sitting ones-mlamenting the·Tammus
14) Then he brought me to the door of the gate of the LORD’S house which [was] toward the north; and, behold, there sat women weeping for Tammuz.

      • Tammuz is Osiris,
      • the fabricated holiday named Tish B’Av is, factually, devised to
        repeat the mourning of Tammuz; it is just poured into a form
        masking it with different titles, as ‘mourning for the fall of
        jerusalem in 70 ad’, etc;[note: it is not mentioned here, but in next verse,
        but the Tammuz worship is/was a typical weakness of Juda,]


NEFERTEM pic credit: pinterest

16] and·he-is-bringing ·me to court-of house-of Yahweh the·inner and·behold! portal-of temple-of Yahweh between the·vaulted-portico and·between the·altar as·twenty and·five man backs-of·them to temple-of Yahweh and·faces-of·them east-ward and·they ones-prostrating-themselves east·ward to the·sun
17] and·he-is-saying to·me? you-see son-of human? he-is-lightly-esteemed to·house-of Judah from·to-do-of the·abhorrences which they-do here that they-fill the·land violence and they-are-returning to·to-cprovoke-to-vexation-of·me and·behold·them! ones-putting the·pruned-slip to nose-of them
16) And he brought me into the inner court of the LORD’S house, and, behold, at the door of the temple of the LORD, between the porch and the altar, [were] about five and twenty men, with their backs toward the temple of the LORD, and their faces toward the east; and they worshipped the sun toward the east.
17) Then he said unto me, Hast thou seen [this], O son of man? Is it a light thing to the house of Judah that they commit the abominations which they commit here? for they have filled the land with violence, and have returned to provoke me to anger: and, lo, they put the branch to their nose.

      • difficult to see what is meant here;
        instead of north (Israel) now the direction is east [compare how the
        prince, later on in this book, will sit in the eastern gate];
      • however, the last line makes Sense, see picture of Nefertem, above;
        PT249 he is said to be “the lotus-bloom who is at the nose of Rã”, and
        similar is said about BD174, where that PT line is repeated, but reads,

[fragment BD174,line 16]
[for] the gods (matrix). [by] existence (eden’s). to purify. [as] every. light of willpower of speech. [of] the house of the horizon (*pic,yellow cube). [in order] of [=for]. he. to manifest (per)., [as] Rã. [through] the foremost-adam’s diminished speech. [for] the Lotus [solarplane] (seshsh). [as] Nefertem [‘completed beauty’]. [in order] of [=for]. existence (matrix). to become by the word to rise and be crowned (khãu+scroll).,”
(the nose-glyph being foremost-adam)

      • why the number 25 is used, we do not know, is unusual;
        neither any glyph would match that number;
        perhaps this Juda actively keeps on invoking the wrong
        light – we can but guess,

** many thanks to AbarimPublications.com for the sound etymologies
** P. Katz, “The Meaning of the Root qnh,” (1955)
[in relation to Cain; every possible link removed from the Net]


stealing the amber quadruple-root as the hippo Tawaret

F] next event, chapter nine – reinstating eden’s light
1] and·he-is-calling in·ears-of·me voice loud to·to-say-of they-draw-near supervisors-of the·city and·man instrument-of ruin-of·him in·hand-of·him
2] and·behold! six mortals ones-coming from·way-of gate-of the·upper which one-cfacing north·ward and·man instrument-of cshattering-of·him in·hand-of·him and·man one in·midst-of·them being-clothed linens and·writing-kit-of the·scribe in·waists-of·him and·they-are-coming and·they-are-standing beside altar-of the·copper

1) He cried also in mine ears with a loud voice, saying, Cause them that have charge over the city to draw near, even every man [with] his destroying weapon in his hand.
2) And, behold, six men came from the way of the higher gate, which lieth toward the north, and every man a slaughter weapon in his hand; and one man among them [was] clothed with linen, with a writer’s inkhorn by his side: and they went in, and stood beside the brasen altar.

a] the six men
      • not ‘he is calling’, but the “he” is the voice;
      • supervisors; but the colour is “punishers”, see below,
      • >they come down from the region of the middle Sba-stargate,
      • six of them, each with a weapon, see picture of serpent, below;
        the used word ‘mashcheth’ (mash-khãth) is revealing, because it
        is but used a few times in scripture, everytime when the same is
        is being addressed – and strikingly, the term is virtually the same
        as glyph of the MESKHT cluster,
      • it says “mortals coming down”, which must refer to ‘ non-eden
        constructs’, and added is “in linen cloths”; if we know that the
        “mutilated eden light HRU” is also ‘existing out of six parts’ (CT*),
        and it is this light they devised to destroy, SEK, the southland by,
        then the options we have point to the MENKH, below,

menkh

6 knives

the menkh-garment-glyph is not often used; but it’s root, the MEN
as ‘stability’ is crucial to them – their “fortress, MENU” should be
the region between eden-eye and mid-stargate (in Jer. 51, the
destroying mountain is MENU, and the ‘destroying’ is the same word
mashcheth as used above);

      • you see these ‘bandlets’ were used in the ritual of opening the mouth;
        the “mouth” as the quadruple-root, and it should be no coincidence that
        the chapter stárts with “.. the loud voice is saying..”;
      • and thought bandlets often refer to “the energetic-physical body”, here
        they may be like.. ‘energies permeating a realm’, for lack of better term;
        as “light, containing different aspects”,
        see MENKHT ÃÃT, “to become the thing of the great pillar + menkht”,
        and UATCHT, “to flourish”, but for the UATCH-sceptre (*pic,stars);
        yet the same time required for “the energetic-physical body for the
        fish-souls”, as ÁNS; etc,


sesh

b] writing-kit


pinterest

      • the term is very often used, as “design, to design”, but in context of
        building from a stolen original (where TUT refers to their own image);
      • the stárt of their whole construct was with SESHAT, the feminine-dual
        as Thoth, whom Henoch names as Peemue, presiding over ‘writing’;
        ‘she’ typically has the measuring-cord as plumbline [this will be the
        theme in the second half of the book of Ezekiel] in order to build théir
        realm which is at a different major-axis; wearing the ‘inversed double
        horn’ either UP or ÃB as crown, imprisoning the lights of eden-eye
        depicted as the seven petals;
        so the glyph SESH should be Valid here,

copper altar
biblehistory.com

c] altar of copper: tabernacle and Horus’ throne:


pic [without red] bibleknowingjesus.com

      • now comes the part we dread: because this is about ‘locations’:
      • the word ‘to come’ can have many meanings, also “to enter”,
        which would make absolute sense!, since they are hostile and
        come from the north, and now stand next to the altar,
      • but of copper/brass: not “of gold”, as in the book of Revelation;
reversing the original situation – in steps

1] tabernacle: re-aligning to eden’s Watercourse

      • after Eden, Horus’ temple in Karnak depicted their realm as
        ‘standing upright’, the temple being positioned in a north-south axis;
        and to counter that concept, the tabernacle was placed at a
        east-to-west horizontal line, according to the Watercourse (*pic);
        as the place we must consider (for now) being the réal quadruple-root:

        pinterest
      • that it was a “brass” altar, must indicate that there still was a mixture
        happening: namely that this ‘stolen quadruple root’ was transferred by
        them across a slanted axis, and placed as ‘new root’ abóve eden eye;
        several indications support this concept:
      • the 7 ÃRRTu’s, as the gallery has ‘seven’,
        comparing “the stairway of the inner court and temple” as furtheron
        described in the book of Ezekiel;
      • the many spells about the “wandering doubled-root ÃPP”, which in turn
        becomes the ‘branch KHET’, see next section,
      • since “the opening of the móuth” relates to this place, where mouth is
        the glyph R, not just ÃRRIT applies but a host of related glyphs, URRT
        ‘great crown of (eden) speech’, etc, but perticular the strange concept
        of “the passive star(s) of very great eden speech of the hand, who are
        nót part of the motherland”, ÁUKHEMU URT’U, and appear “to have
        been re-located into the Torso (*pic,centre) ÁB;
      • the “copper throne of Horus”, KHENT’ (BD*), where Horus’ favourite
        metal is copper, BAÄ, often used in “iron sky of earth”, but as copper;
        “name of instrument used for opening of the mouth”, and many others –
        the BAÁ-copper-connection is valid and promising, also because of the
        BA-sprit-souls we could but so hardly catch; and it’s inversion ÁB, torso;
      • and several other indications;

The tabernacle also countered Saturn’s creation of ‘this present body’;
the water-basin was next, as need to be cleansed after the still mixed
brass-altar; then entering the holies through doors veiled with four (!)
types of cloth – representing garment-body;
the 7 + 7 áats (*pic,in S-áaru) depicted as eden’s seven and their added
seven [where the ‘walking inbetween’ means ‘to separate’ ]; the reddish
acaciawood as bearingpoles and inner box of the Ark as nature of Eden’s
physical body [later mutilated in the glyph T’ESHER, ‘redness’];
it will need separate pages to address all aspects the Tabernacle countered,

2] the Temple at the Interval: restoring core and inner court
..where the core is eden’s eye, and the inner court ‘the immediate area
around her’; in next chapters the innercourt is said to be “the cooking pot”,
which is literally the glyph for the ABT’U (*pic);
so the region of Rule will be back,
as the region of all in the top of the cube-H (*pic), but this time with the
cleansed un-directed-masculine realm (above cube),

——————————

bible.ag

3] and·glory-of Elohim-of Israel he-was-taken-up from·on the·cherub which he-wasbc on·him to sill-of the·house and·he-is-calling to the·man the·one-being-clothed the·linens who writing-kit-of the·scribe in·waists-of·him
3) And the glory of the God of Israel was gone up from the cherub, whereupon he was, to the threshold of the house. And he called to the man clothed with linen, which [had] the writer’s inkhorn by his side;
– it does not mention whére the cherubs are, but context should
say it is at the place of the quadruple-root, where the Split in
the watercourse started (*pic, right of eden-eye),
then “the treshhold” should be the entrance to the temple;
– in the picture above [recommanding the site bible.ag] the
threshold, stairway, is pictured; the fire-altar in front should
be the quadruple-root; it also has stairs pictured but we
get to that in next chapters;

4] and·he-is-saying ieue Yahweh to·him to·him pass-you! in·midst-of the·city in·midst-of Jerusalem and·you-cmark mark on foreheads-of the·mortals the·ones-nsighing and·the·ones-ngroaning over all-of the·abhorrences the·ones-being-done in·midst-of·her
4) And the LORD said unto him, Go through the midst of the city, through the midst of Jerusalem, and set a mark upon the foreheads of the men that sigh and that cry for all the abominations that be done in the midst thereof.

      • the “midst of the city” we saw was the eye itself, but here
        represented as “the 144,000”, aka the two witnesses,
        since the house of Israel and Juda is mentioned in next line
        [the ‘mountains of israel’ referring to the multitude, and the
        corners of the land to the heathens],
      • just ago, with the coverings, the ‘middle portion’ was the first
        third, he is “to consume in the light”, not in the ‘fire’; so he had
        to eat it — ‘in the midst of the city’ already indicating the
        HRU-false-light,

the mark -T:

      • one would think it is selfcontradictory to Revelations,
        however the náture of the ‘marks’ are quite opposite:


thet letter, cross in circle ancient-hebrew.org

1] THET:
meaning in early-hebrew: ‘basket, surround, mud, contain’,
from egyptian TET to phoenician Teth, ‘wheel’, to Greek Theta;
this is not the word used in the text – and with reason,
because it has a huge red flag all over it:


tet

      • the words in the same cluster, as TET-knot (see posted BD’s),
        as well as ‘cauldron’, the very same pot-glyph used in ABT’U;
        where the “cross within the circle”, later phoenician Teth, has
        exact the same connotations:
        the TET-knot hovers above eden-eye, and the “place” glyph is
        a composite of the quadruple-root *in* the ring above eden-eye;
        we’ll get there in next chapter,
      • it is a non-hebrew tem, this TETH,
        appearing but once in scripture, ps.119:64, but even then forced,
        because the word used there is Tub, “good”, it is proposed from
        a bronze-age term, see wiki-page;
        the reason we go into this is because of the glyph NFR, ‘good’,
        depicted as “cross upon a circle (lung)”, where in the TET-glyph
        as ‘place’, the cross is within the circle — we will post asap the to
        these pages related BD80, the crosses of KHESS and ÁN-pillar;

2] TAV, the word used in the text


tav ancient-hebrew.org
meaning early-hebrew: ‘mark, sign, signal, monument’,
but as the x or +, clearly a quadrulupe-concept,
[note: the catholic ritual named “ash-wednesday” marks
also a cross upon the forehead – yet done with ‘ash’, which
is the typical attribute of Vishnu-Anubis, ruling the graveyard
being KHERT NETER, “the cemetary below”]

b] the mark in Revelation:
Greek charax, “stake, pale, sharp” G5482,
but context from charasso, “to scrape, cut, engrave”,
as the stake ploughing, causing the furrow;
a host of spells adress ‘ploughing-over’, as SeKA, to plough,
but by the Ka-spirit-double óver the adamite soul S; or as HEB,
ploughing-ober hebrew-H by the solarplane;

6] and·from·sanctuary-of·me you(p)-shall-cstart and·they-are-cstarting in·the·mortals the·old-ones to·faces-of the·house and·he-is-saying to·them mdefile-you(p)! the·house and·mfill-you(p)! the·courts wounded-ones go-forth-you(p)! and·they-go-forth and·they-csmite in·the·city
6) and begin at my sanctuary. Then they began at the ancient men which [were] before the house.

      • but the same time, also the multitude is addressed,
        all the millions who will get Out when this world got Dark;
        shown in the line “start from the sanctuary, outwards”,
        by crossreading scripture, the judgement will stárt by the
        believers, themselves;

the stake –
..there are many ‘teeth, stakes, knives and poles’ in the spells,
but considered the theme, ‘false light’, this should be about
“engraving by rotation [of light]”,S-PKHR, read,’chakra energies’
as the artificial energies of Saturn, which are, without His
protection, deadly to the adamite soul;

cross and high place:
..we will need to work out the theme further,
but this “elevated, copied quadruple-root”, as cross-inside-circle,
is the origin of mysterious glyphs as “the doubled-place of the
doubled-feather (axis) \\ to become by the thing to sacrifice”,
(maãt\\), notable the magically-dangerous \\;
and it is plausible that the copied quadruple-root was considered
“suspended on high”, glyph ÃKH [also furnace, fireplace, altar]
and it’s stepdown ÃHÃ, ‘to stand upright”, frequently used;
and in a next stepdown, BD* puts the origin of Sekhem-power,
as S-KHMT, the lion in Revelation 5, to exact this region:
hence, the Golgotha cross just may have represented that place,
and is why He as Lamb conquered that lion…

——————— end chapter 9
G] INTERMEZZO – RECAP:

the copied altar suspended on high –


ãkh
term: ÃKH, ‘altar, furnace, brazier’,
note in first position “the horizontal bar upon triangle”,
as a depiction of the great balance Mãkhat, being the
thes-domes balancing upon mountain (*pic), inbetween
both being this copied altar,
ÃKH, ‘to hang on high in the air’, but note the ‘dome’ glyph,
context:
~KH, “the fire-altar of the KH-house of willpower (Ã)”,
where the wandering double-root of willpower (eden’s), ÃPP,
now arrived to this place (willpower) Ã + KH (house), which’ KH
is an illegal construct, already – because hebrew-H + Ka-double,
…now turning into the branch KHET,

à H’Ã
term: Ã H’Ã, ‘to go stand upright’, very frequently used,
also S-ÃHÃ, ‘to make to stand upright’; depicted is the
mast MAQT, as the rope-ladder towards the north where
the great pillar will start;
context:
ÃHÃ, “to come willpower for Saturn’s willpower”, mirror-glyph,
KH, K, Q, H’ are stepdowns (of concepts)

KHET
term: KHET, ‘branch, staff, etc’,
context:
the now-cleaned branch, usable for the KH-house,

term:
“double-place of the double-cobra as the
doubled-axis \\ by the thing to sacrifice”;
the reaon it cannot be the MAÃT goddess
is because of the obvious \\;
see for location, below;

pinterest
above: one of both KA-spirit-doubles as
statue near the Hoover-dam, seated upon
the cube; you will find also the statue of
the Ka-man rising out of the dimension,

SHUT
term: SHUT\\,the doubled-feather as doubled-axis,
the \\ shows the dangerous concept,
starting in copied-root, then upwards,

SHUT
term: SHUT\\,the doubled-feather as doubled-axis,
the \\ shows the dangerous concept,
starting in copied-root, then upwards,

KA
term:
KA, ‘artificial spirit-double’, a scavenger,
see for the welded K+A BD80, KAH’ERKA, ‘festival’, in full, “the lights for
the festival of completion of the s-plane”, of copying-seeding the members of the
the body which represents the entire Torus-construct; mirror-glyph as ÃHÃ;
KAH’ETEP, ‘festival’, the completed solarplane offered by the topsquare of cube (h’enk)
to h’etep (by) the place of the Ka-double, [remember the x within the o, as ‘place’],
KAU, ‘aspects for the Ka-spirit-double’ KAT, vulva, as inversed TET, towards above,
(not pictured) and many more;
context:
the K of Ka is an integral part of the glyph KH, (the illegal construct, see above) and hence
“double”; we suspect that where the both “upright arms” as Ka-glyph are “the sides of
the copied-quadruple-root going side-ways up into both outer SBA-stargates” (*pic, also below),
while the double-SHU axis goes straight-up into the middle Sba-gate of speech;


fleetcars.bg
meaning of name: ‘person who cultivated goats’, Fr. chévre;
the sigil appears to be purposely mirrored from its centre;…if we imagine it laying Flat, then two sides streaming out as KA, and two as SHU [where the H of Shu is hebrew-H]; [when so, then the 4-flames-chapter and KAr-shrines may be within this place],


Ramesses tomb, see recent posted BD’s
pic source: egypttravel.com


NU sacredtexts.com
Nu in Book of Gates XIV (is posted), the arms as Ka-double
clearly visible, and apparently going to outer Sba-gates;
while KHEPER itself, the beetle, *is* the mimicked-root, as
“(to transform) speech (by) the root (of) the KH-house”;
remember how in previous chapter, the scroll-sky was filled
with ‘detestable creeping things’,



GANESHA piknu.com

the figure Ganesha, the pot-belly elephant;
originally the Moabite main deity, relocated to India and introduced there;
representing the Root – that is, the copied-quadrupled one, above the eye,
having the pot-belly, which either refers to the ABT’U (*pic) as cooking-pot,
or/and a representation of the hippo Tawaret, as mimicked revelationwoman;
the elephant is the AB-cluster, “ivory, elephant, leopard” etc, and BA spirit;
note the ‘four arms’, on which we will return in next chapter,

2] addition: egyptian glyphs and paleo-hebrew
origins and syntax

We here have little familiarity with hebrew language, which is both a blessing and a curse: a blessing because the mindset of those who grew up with hebrew often ‘miss seeing connections’, for the obvious reason that Sekhmet has great influence upon that type thinking;
and a curse because it is the reason we have to léarn connections, which to others would be recognizable in an instant — all wé know is, that eventhough we may “approach things from another angle, the goal is the same”, namely re union between Joseph and Juda;

      • we say this because we feel ‘hebrew as language is Infected’,
        since the Word, as vowel, is só important [to thém], that one could almost expéct they (tried to) mess with it; an example before was the TETH;
        reason being their “cutting up of terms, and re-arranging the vowels”,
        as in glyph TEKTEK, “to put words in a different order”, which is the Root of their Sorcery H’EKAU,
        becáuse of re-arranging the vowels, the entire word ‘gets a different type power”. which, as we gather so far, is the “sekhem-power” used over and over in the spells; deriving from the SEKHEMT-lion who presides over the place of that mimicked-root;

example:
from the hebrew term for “adamite soul” as the core, N-PH-SH (NfSH),
they split the term in 3, and juggle, literally, with all three aspects, gluing them back and forth in the desired combinations; and the méaning of the final word resembles the intention they wanted with that change;
making NESH, SHEN, NEPH, SHEP, etc,;
or extensions as for example ‘to split, divide’, PESESH, also PESHEN; but in áll these cases, it is related to the impoverished-denuded adamite soul as mere S-glyph, now (instead of his full name, n-ph-sh).
In egyptian, corresponding in context of [heaven’s] hebrew, N-PH-SH would read,
“the house of hebrew-H’s adamite soul (as) he (for) existence”,
alternatively “the house of hebrew-H’s adamite soul (by) hebrew-H’s root (for) existence”;
note please how the term is in [heaven’s] ‘trinity’, just as AT’M, Adam, CH-UE, Eve, etc;

gutteral and soft voice:
…we addressed before their very harsh, gutteral language, deep in the throat, with a lot of K, KHA, H’ (hard-G), also N and TCH; but also S and, curiously, also the L [which is completely absent in hieroglyphs], therefore we must assume that they ‘stole certain vowels’, and the other way around, insérted vowels (see next section);

      • while original hebrew, read: derived from heaven’s language, is gentle, soft, non-gutteral (but ‘soft’ language does not exclude fury: and they know that!);
1] the case of KAPH:


ancient-hebrew.org

sound: K (kh)
meaning: ‘palm’, as in open hand;
‘to tame, subdue, bend, to curve’ (to another’s will);
but, most curiously, derived from the egyptian hand-glyph T’;

  • which is impossible!

Please note that we do not try to force assimilation – as if Sumerian would be readable in Norwegian; but because our present vowels derive from [deep archetypal] píctures (see introduction page);
and we consider this Kaph to be a product of thém:

      • first of all, because of the obvious gutteral nature, heaven-unlike;
      • the closest original hebrew we can find, is Q and CH, yet not harsh,
        but the same as in CHUE, the name of Eve [and how could thát be harsh..?];
      • the harsh-colouring of CH into K must have appeared at early times;
      • on personal note: one of us saw back in 2011 the K as artificial construct;
        the ‘bar’ as pole, became attached to the V upon it – forming the K;
        we thought that it was a construction of the Workplace [ÁS], please look up
        that glyph (in dictionary), and see it is “a bar with a V-thing attáched to it”

suspicion:
..the problem is the neverending Fractals:
until now, we considered that “eden eye is a deputy (T’) of heaven”; which is true, ofcourse,
and resembled in the very name ADM, Adam (AT’M); but it may be also that “the quadruple-root in the Watercourse is the deputy of eden’s eye”, which would make that root the -T’, óf the mountain T’U;

      • then the entire Kaph makes sense: as Deflection:
        because ‘the hand’ (T’) turned into KH (the mimicked root)!
        Even the terms ‘to bend’ [ãrrit/grand gallery], to subdue, to curve, etc, would say that the hand (as eden’s deputy) turned into being a KH…
2] the case of SHIN:


ancient-hebrew.org
…the term SHIN, as SH, can impossibly mean, originally, “two front teeth”,
the term is used in glyphs as SHEN, (SH-N), “to encircle’, and by extension
“to engrave by rotation with teeth”, as in “rotating around Eden eye”;
therefore it is most questionable that the paleo-hebrew depicted this term as
“teeth, sharp, and press”: since the latter are the typical attributes of the
glyph SEPT’and SEPT’T, Sirius;

          • we will make the case that it is “the Bow”, the same bow described in the next
            chapter of being around the Throne;
3] continuing…
          • we added the above, to show you that a host of concepts are related,
            even in “observing the book of Ezekiel”;
————– end INTERMEZZO

Introduction to Ezekiel 10

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Posted: May 27, 2017 at 3:57 am by loNe
Last Modified: September 4, 2018